Sandy Maudlin English language

Dec 25
2008

I asked Sandy for permission to show her paintings on this blog back in April.
In the meantime, I went through a bit of personal downtime, an almost unbearable fire drill at work that lasted more than 3 months and a very welcome lazy month to make up for those.
Sandy Maudlin - LONDON BRIDGES - Transparent Watercolor on Heavy Weight YUPO 20x26inch

For a while I thought it would be a bit weird to write the article so late (it is December now).
Nevertheless, feeling a bit like an elephant on ice, I am going to venture into describing what I loved about her work.

I am trying to remember what I learned reading her blog.

She is a watercolor painter. I remember she was experimenting a lot with textures.
Textures obtained peeling off masking tape.
Textures obtained using webbing, streaking or scratching with a plastic blade.
Textures based on melted wax.
She also uses already textured paper (arches) or a texture medium on smooth paper (Yupo, which, she explains, does not let the paint soak in, keeping it brilliant and strong).

She mentions a couple of times the Nicholas Simmons’ batik effect. Here’s her description of this technique:

“Fluid watercolor acrylic paints were poured onto wet paper. There are two pours of colors over the whole area, and I made sure that blossoms and run backs happened each time before spraying off the paint just before it dried. Nick calls this effect his ‘watercolor batik’ look, and it’s a very cool way to make great textures. Some drizzles of water and paint were added to the deck boards to add more texture before the miskit was removed.” (excerpt form the article ‘Seeing Red“)

Here’s is a very good example, a demo piece with (left) and without (right) the effect.

Sandy Maudlin - 1 - Batik effect Sandy Maudlin - 2 - Yupo

The one I like most is London Bridges (large one to the right). There’s some kind of heavy silence to it.
The ladies walking away from the viewer as if they are leaving the scene bring a feeling of solitude and melancholy.
They leave me wit a diffuse feeling that this is the end of something.
Maybe the end of the summer being chased away by the cold tones of the autumn.
Maybe the end of a nice vacation (one of the ladies is carrying a backpack, maybe she is a tourist).

The reflections of the wet ground are very well captured. The rainy London weather too.
The dominant blue tones have that effect. Actually, all colors are shifted towards grey tones though at least the clothes were probably more cheerfully coloured.
They all contribute to the foggy and wet look of this entire scene.
The rough texture an irregular geometric shapes in the back are probably meant to express the feel of a busy city.
Or maybe not a city since I see no tall buildings.
There is though a crowded feel to the back of the shot, and it gets more crowded as you move away from the clear front end.


Here are some more works.

Sandy Maudlin - A RIDE TO WORK - Transparent watercolor on Masa 19x14inch

Sandy Maudlin - AROUND THE CORNER - on Arches 140 CP with Collaged Rice Papers - Watercolor and Acrylic 14 x 20inch

Sandy Maudlin - BARN RUST - Transparent watercolor on 140CP Arches 15x11inch

Sandy Maudlin - BIG CAT COUNTRY- Transparent Watercolor on 140 on handmade Nujabi Indian Paper 22x15inch

Sandy Maudlin - BLAZING GLORY Transparent Watercolor on 140CP Arches covered with White Gesso - 30 x 20inches

Sandy Maudlin - GHINKGOS - Painted on Arches 140 hot press 30x22inch

Sandy Maudlin - GRANDPA`s LANTERN - Transparent watercolor on 140CP Arches 30x22inch

Sandy Maudlin - GRANNY`S GERANIUMS - Transparent Watercolor on 140 CP Arches 22x15inches

Sandy Maudlin - JOURNEY - Fluid Acrylics on Hot Pressed 140 Arches 22x30inch

Sandy Maudlin - LOOKING BACK - Transparent Watercolor on 140HP Arches 16x21inch

Sandy Maudlin - MAINE EVENING - Transparent Watercolor on 140 CP Arches 15x 11inch

Sandy Maudlin - PENGUIN PARADE - Transparent Watercolor on Hot Pressed Crescent Watercolor Board 30x12inch

Sandy Maudlin - SAY CHEESE - Transparent Watercolor on 140 CP Fabriano Artistico 11x 16inch

Sandy Maudlin - SERENADE - Fluid Acrylics on 140HP Arches paper 30 x 19inches

Sandy Maudlin - STONE WALLED - Transparent Watercolor on Crescent Watercolor Board - about 12x21inch

Sandy Maudlin - THE MASTERPIECE - Transparent Watercolor on 140 CP Fabriano Artistico 18x14inch

Sandy Maudlin - THIS OLD HOUSE - Transparent Watercolor on 140 Fabriano - 15 x 22inches

Sandy Maudlin - UNTITLED - Transparent watercolor on Masa 16x22

Her blog was two years old in October.
Pay her a visit, I am sure you will like what you will find there.
Many of the articles are full of details on her technique.
She captures the process of creation with many intermediary shots.

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